Sunday, April 5, 2020

2019 Michael deMeng at Shake Rag Alley


Class Sample by Michael deMeng

Sanctum of the Forgotten Tune
June 6-9, 2019
Thursday-Sunday, 9am-4pm
Michael deMeng, Shake Rag Alley


Tuesday, June 4, 2019

In a feat of good planning I started my day today with a cortisone shot in my right hand for chronic tendon issues and picked up a pair of new glasses which thankfully both worked for me.

Then it was off to Chicago and O’Hare International airport to pick up Michael deMeng who flew in from Vancouver. All worked well and three hours later we checked in at the Shake Rag office in Mineral Point, WI.

After a little set up in the Lind Pavilion where the class was to be held, we headed over to Tequila Point for dinner. After dropping Michael off at his residence, I headed back to the Pavilion for a little work on the first part of my clarinet piece: the salad tray.

Then it was off to my accommodations above the Shake Rag Office in the Coach House and a good night’s sleep.

Wednesday, June 5, 2019

Today Michael and I ate breakfast at Red Rooster then spent a few minutes in the Pavilion.  I got a chance to put a coat of white gesso on my serving tray.

We set off to Madison’s airport to get Marilyn Werst who was scheduled to arrive at 11:07 a.m.  Of course that was also when we were scheduled to pick her up but we were a bit late because I underestimated the time it would take to get there. Marilyn met us out by the drive through and then we headed to State Street in Madison. We made stops at the Artisan and Craftsman store for art supplies and the ice cream shop for sweet supplies. Then, after a short stop at a local hardware store, we were on the road back. A quick stop at the grocery store in Dodgeville and then we were back in Mineral Point unloading Marilyn’s stuff.

I had a chance to get another coat on the serving tray before we were out to Mineral Point’s must stop: Crazy Frank’s flea market. I did buy a few things, I must admit.


Lynn Ovenden arrived when we were shopping so we gave her the key to the Pavilion as Kelley Clarke was shortly going to get there and both wanted to unload. After we all united, we met the arriving Amanda who not only unloaded but joined us for dinner.

The six of us drove to nearby Dodgeville and Bob’s Bitchin’ Barbecue where we all ate too much food.

When we got back everyone went to bed but I stayed in the Pavilion getting a little yellow on my serving tray. A knock on the window was my introduction to Margot (?) who drove in from Minneapolis and wanted to unload before heading to bed.

I did a little more work and then headed to the Coach House myself as tomorrow will prove to be an early day.

Thursday, June 6, 2019

Today is the first official day of class. After breakfast we all headed over to the Pavilion to make sure it is open for the last of the arrivals.

Michael deMeng

Here is the course description: "Over the years I have acquired many interesting bits and pieces of discarded goodies, but I have to admit that some of the most interesting of them were musical instruments. Usually by the time I get them all the melodies of their past lives have long faded; old trumpets, violins, oboes, and guitars are just dusty shells destined for a corner in the attic. Or … perhaps, not … One thing I have noticed about musical instruments is that the old life never really leaves them. The brass, the mahogany, and ivory, though marked, still have a voice … though perhaps it is not a voice that can be heard … but rather seen. In this class, you will bring old discarded instruments, and we will retune them … not to play music … but so that they speak as a visual art form. Using the process of assemblage you will alter and/or combine broken violins, piano keys, trumpets, etc., and give them a new beginning as a shrine or sculpture. Music to your eyes."

The Opening Talk


The class sample pictured on the top of this blog and in all the publicity for the workshop had to be shipped to Australia for the upcoming repeat of this class there. What this meant for us was that Michael decided to create a class sample in front of our eyes. He began with this computer game guitar from Crazy Franks to which he would add a candle holder and a statute of Michael Jordan from Space Jam. (More on this later)

Our home for four days--the Lind Pavilion

Some things in the workshop should just not be seen

This day I had lunch at a place I normally do not go during Shake Rag workshops: Cruise Inn where everything is fried except my BLT which turned out to be great.

My table mate Marilyn Werst from Louisville, KY, gets some help from Michael

The group had dinner at Poppolo’s this evening. I am the last person to leave the Pavilion at night as I agree to be the key holder.

Friday, June 7, 2019

After breakfast this morning it is time for more demos from The Master.


Today's lunch was at Grey Dog and dinner at Brewery Creek. Again I was the last to leave the Pavilion.

Saturday, June 8, 2019

Today some of us were up early to get to Pointer Café by 7:00 a.m. because today is Crazy Frank’s outdoor flea market which is going to be attended by most of the students. This turned out to be a rich field of pickin' for the group--including the oft-discussed by eventually never purchases vintage tractor hood.

Here are my buys:



My group was back to the Linn Pavilion by 9:30 where we launched into our painting demos.


Lunch found me taking Michael and Marilyn to the grocery store for more supplies for tonight’s wine and cheese party. After working through the afternoon we had wine and cheese at Tuck Point with Katherine Engen, Bill and Lorraine Reynolds as guests. Then it was dinner at Tequila Point before I was back to work in the Linn until 10:30 p.m.

Sunday, June 9, 2019

Today I was up and out by 6:30 a.m. for breakfast at Pointer Café. Then Lynn, Kelley, Marilyn, Alice and Rob headed over to Dodgeville for the Lion’s Club Flea Market. For the second time this weekend, we found a great flea market and here are my buys.


Today's class has some demos, much angst, and lunch again at the Cruise Inn.



The afternoon has some work but this group was ready by 3:30 p.m. for the highlight of all Michael deMeng workshops: the Critique. This is a chance to have your work reviewed by The Master, hear him comment on your fellow students' work, and get a close up look at all the hard work everyone did for four days.








 












Most of the students use this time to clean up and pack their cars but some of us are not going home tonight. So after The Master packs his class supplies up Lynn, Marilyn, Alice, Rob, Gigi, Mike and Mr. deMeng all drive over to Bob’s Bitchin’ Barbecue in Dodgeville.

When we get back to Mineral Point I decide to do some painting in the Linn until 9:30 p.m.

Monday, June 10, 2019

Michael, Lynn, Marilyn and I are up a little later today for breakfast at The Red Rooster.

After saying our goodbyes to Lynn, the three amigos head to the Linn and pack our stuff in my van.

Then we drive over to Madison to spend some time walking State Street, shopping and get some lunch at an Asian Fusion restaurant.

After a two hour drive, we reach Chicago's O'Hare airport around 4:00 p.m. where I drop Marilyn and Michael at the United terminal for their flights home.

I am home, unpacked and out in a restaurant with Denice by 6:00 p.m. in Milwaukee

As always, I want to thank Master, O My Master Michael deMeng for a great workshop and fun times in Mineral Point at Shake Rag Alley.

He will be back next year and so will I, you betcha hey!

MY PROJECTS


I have discovered two things about taking remote workshops. They work best for me if I do some planning and construction at home. Plan and construct.  So here is how that worked this year.

PROJECT ONE: Many Human Transactions Take Place In a Realm of Darkness

At Home

Auditions at home led to the selection of a wall stand, one of the three wise men from a Christmas set and an old violin

This is how I conceived it would all go together


Auditions at home led to the selection of a muskrat skull


A quick Dremel exercise (done outside while wearing a mask)

I used the Dremel to round the planter so it sat on the rounded violin

I ran some bolts through from the back to hold the rack

This drawer pull was added on the front...

...so the bolts out the back can act as a hanger for the wall mount

At Shake Rag Alley

The muskrat skull replaces the wise man's face

The baby Jesus gets into the act

I use papier mache on the violin

The violin is prep for paint and nails are added

The figure is done and attached to the porch

The finished project at Shake Rag ready for the critique







And thus we have...Many Human Transactions Take Place In a Realm of Darkness.

The title is a modification of the quote, "Many human transactions take place in this realm of darkness" by Kathryn Harrison from Please Stop Thinking contained in Light the Dark: Writers on Creativity, Inspiration and the Artistic Process edited by Joe Fassler.


PROJECT TWO: This Body I Testify From Is a Binoculars Through Which You Watch

At Home

The audition process led to these selections

The post was attached to a round stand of wood

An armature was added to the post


This serving tray became important

AT SHAKE RAG ALLEY

The first task on this project was to paint this cheap plastic serving tray I bought a Party City the night before I left while Denice was shopping for school supplies




At this workshop I found out one thing--do not turn your back on Michael deMeng


It is finished...but the face will probably go

Arms are added to the clarinet

The binoculars are clayed in

A rather long and laborious audition process led to me trading for the little gold container from Kelley Clarke; she got a vintage door plate

I painted this post system all white

The clarinet got painted...

...and then I just kept going and did the whole thing in black

A second coat was needed

By the time I left Shake Rag on Monday, this was as far as I got on this one. I am patenting the color technique as Hawaiian Shirt. 

BACK HOME AGAIN
















And thus we have, This Body I Testify From is a Binoculars Through Which You Watch.





No comments:

Post a Comment