To prep for the weekend, especially because remote art making means limited access to tools, supplies and space, I decided to get a head start on my project.
When I bought this corn planter, I knew some day I would make it into a figurative piece.
From the moment I saw the shape I knew it would be female so that is what moved me to go gathering in my basement for more of the ingredients.
I always preach that the number one thing to figure out when making a wall hanging piece is how it is going to hang on the wall.
Because I wanted the ribbon to run down the middle of the planter, I decide that the bolts that would hold the piece to the wall would also hold the ribbon that runs down the middle of the planter and the head that would fit on top.
Next up was to figure out the armatures that would hold the arms and legs to the piece.
Then it was off to Shake Rag. We have three days and nights in the Quonset Hut on the grounds in Mineral Point. While some of the folks got out there Thursday night, I drove over from Milwaukee on Friday morning.
This is my work table. You can see that one of our priorities that we learned at Valley Ridge is space makes all of us very happy.
Mom gets painted up and bejeweled, adorned with a little head piece.
I came home from the Amish Wal-Mart with a ton of rusty stuff for future projects.
Even though I work three days on this project, I had to finish it at home. I decided to hack an old piece of circular wood into two so that I can attach it to the back of the piece to give it some depth.
And so, after working at home, then at Make What Ya Brung, and then back at home again--we have "I Am the Same Boy My Mother Used to Kiss." The title for this piece comes from a poem by Mark Strand.